THUS SPAKE ZARATHUSTRA A BOOK FOR ALL AND NONE (ILLUSTRATED), by Friedrich Nietzsche
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THUS SPAKE ZARATHUSTRA A BOOK FOR ALL AND NONE (ILLUSTRATED), by Friedrich Nietzsche
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THUS SPAKE ZARATHUSTRA A BOOK FOR ALL AND NONE (ILLUSTRATED), by Friedrich Nietzsche- Amazon Sales Rank: #48575 in eBooks
- Published on: 2015-06-11
- Released on: 2015-06-11
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Review , also translated as Thus Spoke Zarathustra. Treatise by Friedrich Nietzsche, written in four parts and published in German between 1883 and 1885 as Also sprach Zarathustra. The work is incomplete, but it is the first thorough statement of Nietzsche's mature philosophy and the masterpiece of his career. It received little attention during his lifetime but its influence since his death has been considerable, in the arts as well as philosophy. Written in the form of a prose narrative, Thus Spake Zarathustra offers the philosophy of its author through the voice of Zarathustra (based on the Persian prophet Zoroaster) who, after years of meditation, has come down from a mountain to offer his wisdom to the world. It is this work in which Nietzsche made his famous (and much misconstrued) statement that "God is dead" and in which he presented some of the most influential and well-known (and likewise misunderstood) ideas of his philosophy, including those of the Ubermensch ("overman" or "superman") and the "will to power." Though this is essentially a work of philosophy, it is also a masterpiece of literature. The book is a combination of prose and poetry, including epigrams, dithyrambs, and parodies as well as sections of pure poetry. -- The Merriam-Webster Encyclopedia of Literature
Language Notes Text: English, German (translation)
About the Author Nietzsche has been proclaimed the seminal figure of modern philosophy as well as one of the most creative and critically influential geniuses in the history of secular thought.
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Most helpful customer reviews
185 of 195 people found the following review helpful. Talk about translations! By A Customer I only want to say one thing here, and I say it primarily because I already love this work. This is the translation to buy. Everyone seems to adore Kaufmann, but the truth is he's much more obtuse and difficult to read (and I don't believe it's necessary, as some may say). Hollingdale gets it right. I'll defend myself with one example from a class I took, where Kaufmann's translation was the required text. I had read both translations (cover-to-cover), and sold my copy of Kaufmann's translation, keeping only my Hollingdale. So, needless to say, I wasn't about to buy Kaufmann again, and went to class with Hollingdale. Slowly, but surely, as the other students read bits of the translation I had, or heard when I spoke pieces aloud, they overwhelmingly agreed with me: Hollingdale is simply more clear, more beautiful, more powerful (less academic, shall we say, which is pure Nietzsche). Ok, over and out, enjoy.
199 of 216 people found the following review helpful. Review for the non-philosopher By Andy Gill There seem to be plenty of reviews debating the philosophical principles of Nietszche and the statements he makes, so, for the non-philosophy students present (i.e. ME) I'll rate it for the layman.`TSZ' is very longwinded, and as the introduction states, filled with `excess', but that does not make it a bad book. Every sentence is imbued with its own iconic poetry, and, philosophy aside, the metaphors and similes alone make this book worth reading. It is clear that Nietszche, or perhaps his translator, had a mind better suited to creative expression than most philosophers, or indeed today's authors, and it is in this that lies the book's real strength. Through its use of imagery it not only makes an interesting, inspirational, conjectural read (apart from a few really boring parts that seemed written only to slow down the pace), it makes its message easy to understand and backs it up with surrealistic examples. Whereas sometimes in philosophy, the use of allegory can confuse the issue (More's `Utopia' - mockery of idealism, framework for perfect society, or rambling tale?), in `Zarathustra' the reader, no matter whether they are new to the field or not, cannot fail to discern the message that Man is not a goal but a bridge, a rope over an abyss. As philosophy, and as literature, it succeeds in conveying its point, setting up a platform for discussion or merely to digest individually. Admittedly, some refuse to read Nietszche because of his view of women (`shallow waters'), and because of how his ideas for the Superman allegedly inspired Hitler's Aryan vision for the world, but such people deprive themselves of an interesting viewpoint that defines the meaning of life in human rather than spiritual terms.One potential problem for the newcomer to philosophy is the storyline. For a man remembered for the statement `God is dead', Nietszche obviously drew inspiration from the Bible, for Zarathustra is strongly reminiscent of Jesus, recruiting disciples and disappearing into the wilderness with a frequency that Bigfoot would be proud of. The problem with an allegorical tale is the reader's propensity for bringing western narrative expectations to it - `Zarathustra' is a text-book, not a story, but sometimes you do find yourself waiting for the climax, the big show-down, the cinematic denouement. So long as you remember that it is philosophy, not a novel, and so long as you appreciate each segment as an expressive point and not part of a conventional plot, there should be no troubles. I'll leave you with a sample of Nietzsche's verbal wizardry:`It is the stillest words which bring the storm. Thoughts that come on doves' feet guide the world.'
81 of 87 people found the following review helpful. Also Sprach Zarathustra - Difficult but Worth the Effort By Jason Bagley To start off with, the Walter Kaufmann translation is by now well known to be probably the authoritative edition of Zarathustra (although the excerpts I've read from the Del Caro Cambridge Texts edition seems to be perhaps a more beautiful style). One of the reasons I originally picked up this edition was because the only translations available over the web were the droning and pedantic Thomas Common versions which are not only dull but muddled. Walter Kaufmann's translation gives a degree of clarity that far surpasses the Common translation, cannot speak to all the differences (however large or small) between it and the Del Caro version.The book isn't particularly long, but Nietzsche fills it with metaphors and parables in addition to simple narrative and merriment. This is one of the challenges of the book: you're forced to figure out what is meaningful from what isn't and on top of that what each metaphor means. Nietzsche has never been in the habit of going into intricate detail or clarifying what he's saying to the same degree as some other thinkers, and although the book is a stylistic masterpiece (with narrative deliberately done in a biblical style and herein lies one of the advantages over the Common translation, namely that Common translated everything to mimic the King James version with an overabundance of "thees" "thous" and "ests") the philosophy is at times difficult to comprehend. Again, it's not difficult in the sense that the Critique of Pure Reason is difficult, or at least not nearly to the same degree, it is difficult because it is at times cryptic.Additionally, I've seen a lot of reviews suggesting reading Nietzsche just for the pithy phrases or the beauty of the work. And while the work is indeed a very beautiful piece in places and is often quotable (and even considering Nietzsche was very big into each individual making his own meaning, creating his own path or values), I'd caution you against that approach. Although the book has a strong "make your own way" line of thought, that doesn't preclude understanding the ways of others.I will admit that this is a contender for one of the more difficult books I've ever read (up there with Kant, though Nietzsche's previous and subsequent books are by far easier to understand). I've noticed that numerous readers recommend reading the book a second time. I'd say that might be useful, but it would take someone with either a lot of free time on their hands or someone with a very great degree of insight to grasp the meaning of each part of this work. What I found useful was having read other works by Nietzsche first. Before reading Zarathustra (which I read for the first time when I was 15 at the urging of a friend who was taking political science and philosophy in college) I had already read On the Genealogy of Morality and Human, All Too Human. My recommendation is to read at least one of Nietzsche's other books, preferably a couple. I'd suggest making Beyond Good and Evil one of your choices. By doing this, you will have already been introduced to Nietzschean philosophy and will be able to more readily grasp the symbolism used.Even if you don't choose that approach, you should get the main lines of thought, specifically the eternal recurrence of the same, the overman, and the glorification of struggle, in the work. Either way, this book is a landmark work in the history of philosophy and deserves to be read.
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