The Magician's Land: A Novel (Magicians Trilogy), by Lev Grossman
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The Magician's Land: A Novel (Magicians Trilogy), by Lev Grossman
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The stunning conclusion to the #1 New York Times bestselling Magicians trilogy, now an original series on Syfy#1 NEW YORK TIMES BESTSELLER A NEW YORK TIMES NOTABLE BOOK OF THE YEAR ONE OF THE YEAR’S BEST BOOKS The San Francisco Chronicle • Salon • The Christian Science Monitor • AV Club • Buzzfeed • Kirkus • NY 1 • Bustle • The Globe and MailQuentin Coldwater has been cast out of Fillory, the secret magical land of his childhood dreams. With nothing left to lose he returns to where his story began, the Brakebills Preparatory College of Magic. But he can’t hide from his past, and it’s not long before it comes looking for him. Along with Plum, a brilliant young undergraduate with a dark secret of her own, Quentin sets out on a crooked path through a magical demimonde of gray magic and desperate characters. But all roads lead back to Fillory, and his new life takes him to old haunts, like Antarctica, and to buried secrets and old friends he thought were lost forever. He uncovers the key to a sorcery masterwork, a spell that could create magical utopia, a new Fillory—but casting it will set in motion a chain of events that will bring Earth and Fillory crashing together. To save them he will have to risk sacrificing everything. The Magician’s Land is an intricate thriller, a fantastical epic, and an epic of love and redemption that brings the Magicians trilogy to a magnificent conclusion, confirming it as one of the great achievements in modern fantasy. It’s the story of a boy becoming a man, an apprentice becoming a master, and a broken land finally becoming whole.
The Magician's Land: A Novel (Magicians Trilogy), by Lev Grossman - Amazon Sales Rank: #8254 in Books
- Brand: Grossman, Lev
- Published on: 2015-06-09
- Released on: 2015-06-09
- Original language: English
- Number of items: 1
- Dimensions: 8.37" h x .86" w x 5.49" l, 1.00 pounds
- Binding: Paperback
- 416 pages
The Magician's Land: A Novel (Magicians Trilogy), by Lev Grossman Amazon.com Review
An Amazon Best Book of the Month, August 2014: In The Magician's Land, the third book in Lev Grossman's Magicians series, Quentin Coldwater returns as a jaded, slightly humbled, white-haired 30-year-old whose life hasn't turned out exactly as he thought he would--exiled from both the magical land of Fillory and then fired from the magic school Brakebills in quick succession. The series, infused with heavy doses of Harry Potter, Chronicles of Narnia, and Lord of the Rings, used these fantasy tropes in the first two books to explore adolescent alienation and twenty-something excess. Now, Grossman ushers the sarcastic, pretentious, and flawed cast of magicians into a painful maturity. Traumas from their youth tinge their life with regret, love lost doesn't stay lost, and magic--which despite making almost anything possible--doesn't simplify the complexity of adulthood. This is a book about grown-up fantasy nerds for grown-up fantasy nerds, but it's also a page-turner with some serious literary ambition. Adult readers longing for that lost childhood sense of awe that can only be found in make-believe will feel it here, the best and most mature book in the series. --Matt Kaye
From Booklist *Starred Review* The third and concluding volume in Grossman’s epic Magicians trilogy finds former High King Quentin ejected from the magical kingdom of Fillory and, in short order, given the boot from a too-brief teaching stint at his old alma mater, Brakebills. What is Quentin to do? At loose ends, he joins a ragtag group of magicians—including Plum, an expelled Brakebills student—on a quest to find a mysterious case, contents unknown but presumed to be invaluable. Meanwhile, it appears, amid intimations of apocalypse, that Fillory is coming to an end, and the novel’s action begins bouncing back and forth between the kingdom and the real world, where Quentin and Plum are now living in a New York town house, with Quentin determined to use an arcane spell to create a new magician’s land. At this point, Quentin’s former inamorata Alice shows up; but wait! Isn’t she dead? Hmm . . . there is much more to the story, but suffice it to say that it is endlessly fascinating and always proceeds apace. In sum, this is an absolutely brilliant fantasy filled with memorable characters—old and new—and prodigious feats of imagination. At one point, Quentin muses, “Magic and books: there aren’t many things more important than that.” The Magician’s Land is ineffable proof of that claim. Fantasy fans will rejoice at its publication. --Michael Cart
Review “Richly imagined and continually surprising. . . . The strongest book in Grossman’s series. It not only offers a satisfying conclusion to Quentin Coldwater’s quests, earthly and otherwise, but also considers complex questions about identity and selfhood as profound as they are entertaining. . . . The Magician’s Land, more than any other book in the trilogy, wrestles with the question of humanity. . . . This is a gifted writer, and his gifts are at their apex in The Magician’s Land.” —Edan Lepucki, The New York Times Book Review “The strength of the trilogy lies . . . in the characters, whose inner lives and frailties Grossman renders with care and empathy. . . . Quentin[’s] . . . magical journey is deeply human.”—The New Yorker “[A] wonderful trilogy. . . . If the Narnia books were like catnip for a certain kind of kid, these books are like crack for a certain kind of adult. . . . Brakebills graduates can have a hard time adjusting to life outside, though some distract themselves by lazily meddling in world affairs (e.g., the election of 2000). Readers of Mr. Grossman’s mesmerizing trilogy might experience the same kind of withdrawal upon finishing The Magician’s Land. Short of wishing that a fourth book could suddenly appear by magic, there’s not much we can do about it.” —Sarah Lyall, The New York Times “Grossman makes it clear in the deepening complexity and widening scope of each volume that he understands the pleasures and perils of stories and believing in them. . . . The Magician's Land triumphantly answers the essential questions at the heart of the series, about whether magic belongs to childhood alone, whether reality trumps fantasy, even whether we have the power to shape our own lives in an indifferent universe.” —Gwenda Bond, The Los Angeles Times “A wholly satisfying and stirring conclusion to this weird and wonderful tale. . . . Relentlessly subversive and inventive. . . . Grossman can . . . write like a magician. . . . [He] reminds us that good writing can beguile the senses, imagination and intellect. The door at the back of the book is still there, and we can go back to those magical lands, older and wiser, eager for the re-enchantment.” —Keith Donohue, The Washington Post “A huge part of the pleasure of this trilogy in general and this volume in particular is that, even as we consume the story just to find out what happens to Quentin, we know that we are collaborating in our own versions of its creation, its animation. The reader gets to be a magician, too.” —Nancy Klingener, The Miami Herald “[A] stirring finale to Grossman’s acclaimed trilogy.”—People “The Magician’s Land . . . does all the things you want in a third book: winding up everyone's stories, tying up the loose ends -- and giving you a bit more than you bargained for. . . . Starting very early in Magician's Land, Grossman kicks off a series of escalating magical battles, each more fantastic, taut, and brutal than the last, which comes to a head in the final chapters with a world-shattering Götterdämmerung scene that stands with great war at the climax of The Return of the King. At the same time, Grossman never loses sight of the idea of magic as unknowable and unsystematized, a thread of Borgesian Big Weird that culminates in a beautiful tribute to Borges himself. It's this welding together of adventure-fiction plotstuff and introspective, moody characterization that makes this book, and the trilogy it concludes, so worthy of your reading time, and your re-reading time.—Cory Doctorow, Boing Boing “The world of Grossman's ‘Magicians’ series is arrestingly original, joyful and messy. It's so vividly rendered that it's almost disappointing to remember that it doesn't, after all, exist. The overall effect is — well, there's really only one word for it: It's magical.” —Chicago Tribune “[A] satisfying ending to the series. . . . Saying goodbye to Quentin is bittersweet, but saying goodbye to a Quentin who achieves some peace at last fills the farewell with a reassuring optimism for his future.”—The Boston Globe “An enchanting conclusion . . . to a series that references C.S. Lewis and J.K. Rowling while remaining refreshingly original. . . . The Magician’s Land is that rare novel that looks at what happens after the child prodigy grows up and has to get a job. . . . [It] features the return of a character sorely missed by both Quentin and readers alike, as well as Grossman’s trademark witty dialogue.”—The Christian Science Monitor “The last (and IOHO, best) book in the hit Magicians trilogy. Savor every word.”—Cosmopolitan“An explosive conclusion to Quentin Coldwater’s adventures.” —Entertainment Weekly “A satisfying finale to the series, while adding depth and shading to the world. . . . Grossman tells exciting fantasy adventures, but at the same time deconstructs the fantasy, as his characters discover that even magical wish-fulfillment is no guarantee of happiness, and even a job casting spells in a magical land is still work.”—A.V. Club (A-) “When read straight through, the Magicians trilogy reveals its lovely shape. The world of the books wraps around itself, exposing most everything necessary by its conclusion, but occluding operations that we'll never need to see. There's still a series of mysteries and untold tales left unknown deep inside the books.”—Choire Sicha, The Slate Book Review “All lovers of Lev Grossman’s first two books of The Magicians trilogy: This is the end, beautiful friend. . . . One of the lovely things about this series is watching Quentin evolve from depressed teen to clear-eyed man. If Grossman raises his kids with the same sympathy with which he parents his literary teen, he’ll be a smashing success. . . . Battle scenes are laid out with vivid, near-storyboard detail. There’s so much excitement as to make the temptation to race ahead a serious danger. . . . Grossman brings the story home on a very satisfying chord. The chorus: We are all magicians. Life, like magic, gives back only as much as you put into it. It takes hard work, it hurts, and you have to be ready to fail. But deep within us all lies the power to enchant the world.”—Cindy Bagwell, Dallas Morning News “So you’ve torn through all the volumes of A Song of Ice and Fire (aka Game of Thrones), and you’re a little over the whole dystopian young-adult thing. What’s an adventure-minded reader to do for a fat beach book this August? Look no further than Lev Grossman’s Magicians trilogy.” —Sara Stewart, The New York Post “The very satisfying final book in [Grossman’s] trilogy. . . . This third book, at turns a heist story, a meditation on the act of creation, and an apocalyptic disaster tale, continues the adventures of main character Quentin Coldwater. It mixes genre deconstruction with psychological realism, full of self-aware figures who are cognizant of all the tropes of fantasy fiction, while at the same time working to fulfill those tropes or push against them. There are great swaths of high imagination in The Magician's Land, evocative passages that contain entire worlds. Writing, like magic, is a craft, and Grossman performs it oh so well.”—Gilbert Cruz, NY1 “In the smash trilogy’s thrilling end, Quentin is cast out of Fillory, the enchanted realm he once ruled. But he’ll risk his life (and make dangerous allies) to save the threatened world.”—US Weekly “[A] deeply satisfying finale . . . [Grossman’s] characters’ magical battles have a bravura all their own. . . . The essence of being a magician, as Quentin learns to define it, could easily serve as a thumbnail description of Grossman’s art: ‘the power to enchant the world.’”—Kirkus Reviews (starred review) “An absolutely brilliant fantasy filled with memorable characters—old and new—and prodigious feats of imagination. . . . Endlessly fascinating . . . Fantasy fans will rejoice at its publication.”—Booklist (starred review) “[The Magicians] series taken as a whole brings new life and energy to the fantasy genre. The final volume will please fans looking for action, emotion, and, ultimately, closure.”—Library Journal “An elegantly written third act to Quentin’s bildungsroman. . . . Fans of the trilogy will be pleased.”—Publishers Weekly “If you haven’t read the first two books in Grossman’s Magicians trilogy, buy them immediately and set aside a weekend to read them straight through before you turn to The Magician’s Land. The series, which follows a group of—you guessed it—magicians through the emotional foibles of young adulthood has been called ‘Harry Potter for adults.’ But it’s way more complex than that. Grossman hones in on the particularly brutal business of being young, and then adds layer upon layer of literary allusion, creating works that are both homages to fantasy’s past and glimpses at its future.”—The New Republic “Sink your mobile devices into the nearest wishing well and duct-tape your front door against gnomes, pollsters, and other distractions. The Magician’s Land is beckoning, and demands your full attention. Lev Grossman proves again that the costs and consolations of creation—both of Fillory and of this conclusion to his trilogy—are mighty forces. Quentin Coldwater, Grossman's Orpheus and his Abraham, his Yahweh and his Puck, enchants as few other magicians can, or dare.”—Gregory Maguire, author of Wicked and Egg & Spoon “Lev Grossman has conjured a rare creature: a trilogy that simply gets better and better as it goes along. The Magician's Land is sumptuous and surprising yet deliciously familiar, a glass of rich red wine left out for a hungry ghost. Literary perfection for those of us who grew up testing the structural integrity of the backs of wardrobes.”—Erin Morgenstern, author of The Night Circus “The Magician's Land is a triumphant climax to the best fantasy trilogy of the decade.”—Charles Stross “Poignant and messy, fearsome and beautiful—like a good magic spell, the final book in this trilogy is more than the sum of its parts. Also, damn. Just some of the best magic I have read, ever.”—Maggie Stiefvater
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102 of 119 people found the following review helpful. In the Disappointed Minority By Jack Donathan I must agree with an earlier 3-star reviewer that I was not as enraptured with The Magician's Land as I had hoped to be--or as many other readers seem to be. I didn't buy the caper plot that animates the first third of the novel, and I really didn't buy the end-of-the-world scenario that drives the latter half: didn't we just go through that, in The Magician King?? (Grossman permits a clear-headed hippogriff--or was it a pegasus?--to mutter as much, but we flail on.) Any sort of backstory or explanation for the apocalypse--and Grossman had excelled at these, on the fly, in the earlier books--is missing; he seems to have decided that the trilogy needed a big flash finish, so here it is, the end of the world, Filloragnarok. The writing degrades the closer the novel gets to its conclusion. Old characters from other books pop up for meaningless cameos.I was also disappointed that two of the possibilities I thought Grossman had so carefully set up in The Magician King--the transformation of the Neitherlands and the Far Side of Fillory--were barely touched upon in The Magician's Land. Yes, there were a few gaspable plot turns (cf. NYT review), and in the first half a few of the haunting set pieces that are the hallmark of Grossman's best writing: a segmented secret passage that includes dislocations in time and space; the excursion to Antarctica. We get a sliver of insight into Janet that we hadn't had before. And the object of the caper--that particular Fillorian MacGuffin--is worth it, even if the caper itself makes little narrative sense.Something else's that's missing: the sense of psychological depth that the development of Julia's story (not to mention her distinctive narrative voice) lent The Magician King. Plum, the principal new character, adds next to nothing to the story, except as a tool to work out two or three plot points. Quentin is still Quentin, and although he has matured, he's still far from the most interesting character in the room, much of the time. Quentin's attempt to work out his own Big Spell in the latter half of the book (to say more would be to spoil) simply doesn't have the psychological or narrative resonance it could or should have.A lot happens in The Magician's Land; Grossman has certainly learned how to craft a tighter plot. However, I'm not sure "a tighter plot" serves Grossman's strengths: you can really hear the machinery crank. It's those little cul-de-sacs of beauty and strangeness that make Grossman's novels memorable to me, though--and there weren't enough of them here. After a second reading of The Magician's Land I found myself thinking there must be another, more vivid, more magical novel behind this one, not unlike the Far Side of Fillory.
32 of 40 people found the following review helpful. I'm in Heart With This Book By Greg Polansky Finishing this book last night I felt sadness. Sadness because the trilogy had come to an end and my time with these characters and this land had come to an end. And that feeling of sadness is the highest compliment I could pay to this book because that means that the story truly touched me. That's rare for a book to do and speaks highly of how magnificent this story is. I think the last time I felt that feeling was when I finished Deathly Hallows back in '07.Quentin was no longer a King of Fillory. Much like his antecedents of the Narnia books, he was no longer allowed to remain in Fillory and had to make his way in The Real World (no, not on that MTV show. Is it still even on?). But now he was back at Brakebills and was exploring what it meant to be an adult in the non-Fillory world. For those of you who would have wished for more writing about HP post his school years, then you will find much to make you happy here. Especially if you were a fan of Ocean's Eleven. And here we meet Plum and discover other old friends interacting with Quentin. The first half of the book is a crime caper on the Quentin side of things. But that's just half of the first half. The other half explores the goings on of Elliot and Janet and the rest of the Scooby Gang in Fillory. As an aside, the story of how Janet gets her new axes is one of the highlights of the book. And there we are also treated to a modern version of Narnia's 'The Last Battle'. Think about that for a moment. Let it settle in. You know what that means.There is a certain sense of irreverence and whimsy permeating the book. There are amusing lines with wink winks to various Fantasy series's fan bases. Things like there being no female dwarfs because they don't exist. The book rewards those who are well read. Or at least culturally aware. Things like there are turtles all the way down is a neat reference to Stephen Hawking's A Brief History of Time. Overtones of season 5 of Buffy. A reference to Yeat's 'The Second Coming'. I am sure I missed tons of things. Makes me wish there were a bibliography at the end so I could see all the things that influenced Grossman's writings. All throughout the book Grossman uses modern vernacular; this is how people actually talk.Grossman is insightful about the human condition. He has a keen eye for the world around him. An eye that lets him suffuse his books with delights that surprise you at every twist and turn because they both enchant and cause you delve deep into possible truths. This is especially true of the Quentin chapters. And the story itself gets more wonderful and wonderful. And just when you can't stand how awesome it all is, it gets more awesome and you must continue to somehow brave through the book.And now the book is over and the review is done. But more adventures await in other worlds.
29 of 37 people found the following review helpful. A wonderful conclusion to a trilogy that will challenge your mind and engross you in its story By Monica Mileti This review was originally posted on Avid Reviews: www.avidfantasyreviews.wordpress.comGrossman’s Magicians trilogy is far different than any other work of modern fantasy I have come across. Grossman’s novels are an intellectual journey into the disillusionment that occurs during the journey to adulthood, and much of the fantasy elements of his novels occur simply to help prove this point to the reader. The first book in particular has a very depressing tone, and is incredibly anticlimactic in comparison to most modern fantasy. I have always admired Grossman as a writer, and respected how deeply thought provoking his novels are, but I have always been a bit disappointed that they were lacking in escapism. Despite some seriously cool magical elements, the first two books in the Magicians trilogy seemed more of a dissertation on disillusionment than fantasy fiction.After having finally read the concluding installment in the Magicians trilogy, I have truly fallen in love with Grossman’s work. Magicians Land ties the whole series together, and awards the reader with an exemplary modern fantasy. It is not only an extremely intelligent novel, but also an exciting and meaningful story with an intensely emotional plotline. Magicians Land preserves that tiny part of childhood that resides in all lovers of fantasy, and it presents itself to the reader in a novel that is extremely hard to put down.Magicians Land is the conclusion to Quentin Coldwater’s story, and it starts where The Magician King, the second book in the series, left off. Quentin has been kicked out of Fillory, the magical land he once ruled as a king. For lack of anything better to do, Quentin returns to Brakebills, the place where his magical journey began, as a teacher. Everything seems to be going well for Quentin until he tries to save a student named Plum from one of the ghosts of his past. Suddenly Quentin and Plum (who has a dark secret of her own) are embarking on a journey that will ensure that Quentin faces his past head on. Meanwhile, the friends Quentin left in Fillory are facing their biggest crisis yet: Fillory is dying, and for good this time. As the fate of Earth and Fillory collide, Quentin realizes that all roads lead back to Fillory, and he will have to try and save it one final time.One of the biggest improvements in this installment of the Magicians trilogy is the addition of a plot with a purpose. The plot lines of the first two novels often seemed aimless, and it is not until this final novel that I really became invested in both the characters and the plot. Quentin was always an extremely well developed character, but not always a very likeable one. Finally Quentin’s complexity makes a turn for the better, and he becomes a protagonist that the reader will truly admire.I found the ending to this book to be moving, fitting, and fantastic. It is the perfect end to Quentin’s journey, and it made me go back and analyze the other two books in a different light. Fans of the first two books in the Magicians trilogy will most certainly be satisfied with the series’ conclusion, and even those readers that had issues with the first two novels will finally have a novel that satisfies them both intellectually and engagingly. I would recommend this series as a whole to anyone with a love for fantasy that also has a need for a novel to be mentally stimulating. This is not a series that should be read for pure entertainment value, but rather for its seriously fascinating magic and its captivating commentary on the human condition.I would rate this novel a 9/10.I received an advance reading copy of this novel from Goodreads and the publisher.
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