The Leica M Photographer: Photographing with Leica's Legendary Rangefinder Cameras, by Bertram Solcher
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The Leica M Photographer: Photographing with Leica's Legendary Rangefinder Cameras, by Bertram Solcher
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What it is and what it isn't. This not a camera manual for the Leica M, nor is it a book that will teach you photography. Nevertheless, in Bertram Solcher's book you will learn a whole lot about your camera and how to use it, and about the art and craft of photography. This book contains a collection of illustrated essays that are meant to reveal the secrets of working with a rangefinder camera. To be more precise, with the best camera ever made. The book's ultimate goal is to ignite your passion for the kind of spontaneous, minimalist, and creative photography we admire in the works of Henri Cartier-Bresson, Joel Meyerowitz, and other great Leica photographers.All Leica M model cameras, both analog and digital, use rangefinder technology. Because of its design, working with a Leica M requires a more methodical style of photography where the photographer must slow down and exercise attention and purpose. Using these cameras is both challenging and rewarding.With a Leica M, you can mingle discretely within your environment to capture candid, exciting, insightful images. Bertram Solcher, a professional Leica M photographer for over 35 years, demonstrates how to use this unique camera in a practical and effective way. Solcher's enthusiasm, substantial experience, and technical expertise will help you learn the skills necessary for creating masterful photographs with any Leica M camera.
The Leica M Photographer: Photographing with Leica's Legendary Rangefinder Cameras, by Bertram Solcher- Amazon Sales Rank: #407155 in Books
- Brand: Solcher, Bertram
- Published on: 2015-06-15
- Original language: English
- Number of items: 1
- Dimensions: 7.90" h x .80" w x 10.00" l, .0 pounds
- Binding: Hardcover
- 156 pages
About the Author
While studying medicine, Bertram Solcher worked as freelance photojournalist for regional and national newspapers, as well as national and international magazines. For the last 10 years he has worked in public relations and corporate photography, with a focus on medicine and science. While Solcher uses DSLR cameras for his commercial work, he uses the Leica M for projects that involve photographing people because the camera enables him to merge into the environment, allowing him to capture a very honest sense of reality in his images.Solcher has been an enthusiastic Leica M photographer for the last 35 years, and has worked with almost all Leica M models, both analog and digital. He is an appointed member of the German Society for Photography, and has been an actively involved board member for the "Freelens" photographer's association. His current photography project, called "German Angst," is sponsored by a grant from the VG Bild-Kunst association.
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Most helpful customer reviews
12 of 13 people found the following review helpful. And great news: I loved it By S For the first time I get to write a review for a book a publisher sent me. And great news: I loved it. So much so, I read it twice, back to back.Now, understand … I don’t have a Leica.But you don’t need a Leica to fall in love with this book.Because the book is less about the Leica camera as it is about what it is to live the life of a photographer in love with his craft.It’s important to note up front that the author is more of an everyday photographer, more of a journalistic photographer, more of a street photographer . . . This is not a guy staging elaborate model shoots in Bangaldesh, and he is not roaming the Serengeti looking to photograph lions.Throughout the book we see him in there with everyday people, in the thick of it, up close ... We see him shooting fans watching World Cup soccer. We see him on a magazine assignment, shooting at a polo club. We see him shooting the a Harley Davidson bike rally in Hamburg, Germany.And again and again, the images he creates are exceptional.Most of his work is shot at 35mm or 50mm, befitting a photo-journalist and street photographer, and almost all of it is in black and white (sort of a cyanotype, really), though whether black and white or color, what I love most about his photography is that it is never routine. This is a photographer who challenges himself, who experiments and takes chances, and who ultimately creates photographs that are as technically masterful as they are just plain exciting to see. As you read this book you are in the company of an artist. You are seeing what it is to think like a true craftsman.Indeed, much of the training the book delivers on has to do with how he thought through these photographs and created them.And again, none of it relies upon carrying a Leica in your hands.Because as a teacher, Solcher is wonderfully adept. You do get bits and pieces here and there that at first glance seem specific to using a Leica — but don’t skip them: the ideas stand whatever camera you are holding. The technical ideas he relates are universal enough to help any aspiring photographer improve. And the best ideas — given in the form of assignments — are elegant and challenging enough artistically to make this book an inspirational call for us all to push ourselves further as photographers.One of the greatest lessons I drew from this book was that of seeing how deliberately, how intentionally a professional photographer goes about his task. This is no casual shooter we are encountering here. This is a pro. Yet one of the most accessible, most articulate, most creative professionals on the scene today.Whether you ever plan to own a Leica, I recommend this book heartily. I believe this book will be a treasure to any ambitious photographer who aspires to capture great photographs that elevate the human experience into the realm of artistry.- S.Postscript: As I said at the start of this review, I don’t own a Leica. Yet it’s worth noting that the Fuji X100S or X100T will give you a pretty, pretty, pretty close alternative. When it comes to Bertram Solcher’s delight in sheer portability and stealth, I suspect my Fuji X100T makes for a near enough match, even down to its aperture ring and the rangefinder experience it can provide. And the joys the author expresses at NOT lugging around a heavy, intimidating DSLR are joys I can relate to myself whenever I am walking a city with my circumspect, Leica-inspired Fuji. (Of course, that said . . . If anyone wants to take up a collection to get me a Leica now, I won't object!)
2 of 2 people found the following review helpful. Loving a Camera By Conrad J. Obregon Years ago, I used a Leica M for my photography and I delighted in the precision of this fine little instrument. However, I ultimately found that my single lens reflex was better suited to my type of photography. I still hold a warm spot in my heart for that little camera.Bertram Solcher's book is dedicated to the same fine camera. The book is a combination of memoir, instruction manual and portfolio. He offers chapters on selecting gear, planning images, composition and other basic skills, and yet there is little that actually tells you about the Leica M. Each chapter involves a bit of narrative, a photo exercise and a discussion of a particular assignment the author had, either self-created or assigned, and the photographs he made for the assignment. Although he often describes himself as a photo-journalist, from the images in this book, I think of him as a street photographer.This book practically cried out to be liked; it's about the affection a photographer has for his camera. Unfortunately, that wasn't enough to generate a similar affection for me in the book. Perhaps I would have liked the book more if it had detailed the ways that the Leica M could be used differently than other cameras and how those uses could be used to create more effective images than other cameras but the book didn't. Consider the chapter on rules. The author briefly mentions a few composition rules, like the rule of thirds or those relating to the use of depth of field. His discussion is at best cursory, and then he tells us we don't have to follow the rules. There is no detail to hone the reader's skills or understanding of the rules. There is no attempt to relate the rules to the characteristics of the Leica M. If one understands the rule well enough, one doesn't need to be told they can be broken. Moreover, few of his images are offered to support what he is teaching.There is plenty of white space in the text. Often this can help to explicate the content of a book, but here it looks like it was just necessary to fill the pages of what might otherwise be a long essay.As to the images themselves, when I compare them to the works of the great street photographers, I find that they don't reveal enough, often offering odd angles rather than insights. One of the problems of street photography is that the line between snapshots and art is a fine one, but too often I felt the images were on the wrong side of the line. I did enjoy the images of the author's daughter which showed the photographer's love for her. I would much have preferred more images and fewer words, so that I could at least better judge the artistic merit of Solcher's work.I had expected that this book might make me want to get my hands on a Leica M again. It did not.
1 of 1 people found the following review helpful. Good set of general articles. By Peter Wright More like an interesting series of articles on photography. Good photography, but not exceptional. If you want something on how to use a Leica M (what can you need to know that is not obvious?) this is not your book.
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